A halo frames
Krishna's face which is further adorned with a high crown. Wearing a garland of
fresh flowers he radiates an inward looking smile. A prodigious
amount of jewelry including thick bangles and armlets ornaments his body. The thick lips are
sensuous and kiss his flute creating music in the process. Typically, his
left leg is crossed in front of the right as is most often the case when
Krishna is shown fluting. An orange clinging dhoti held together by an elaborate waistband
nearly reaches his ankles. Bejewelled tassels cascade down the dhoti. His upper body is bereft of any garment.
Krishna stands in the tribhanga posture (the head, torso, and legs, all slanting in contrary directions),
as does Radha, albeit in the opposite direction, forming an interesting contrast. While Krishna's face
is slender and longer, Radha's is rounder and hence more childish in
appearance. In addition to a collar choker enclosing her short neck a longer
necklace waterfalls between the wide and deep chasm between her breasts. A
floral bodice clings to these nubile orbs which taper down to a thin yet
curvaceous waist. Her lower drape is a dhoti like Krishna's.
Radha's right hand, in response to Krishna's melody, is raised in a joyous
gesture gleaned from the repertoire of classical Indian dance. The left
simultaneously upholds a shooting lotus, reaching up to her hair. Unlike
Krishna she is uncrowned and her hair is symmetrically arranged in coils
with a rift in between, where an ornament lies ensconced. The excess tresses
are beautifully piled high in a bun held together by a jewelled hair band.
An adorable cow, balancing its front hoofs on a rock, delightfully nuzzles
upto Radha. The entire composition is situated on a two-tiered lotus pedestal.
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veces desde el 2nd Oct, 2008
