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Código del Artículo: IDH018por S.BANDYOPADHYAYAHardcover (Edición: 1980)CHAUKHAMBHA ORIENTALIA Tamaño: 8.8" X 5.3" Páginas: 158 (B & W Illus:46) |
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veces desde el 1st Sep, 2009The author of this present work was born at Varanasi on October 1, 1911, and has his school and college education from the C. H. School and B. H. U., Varanasi. He was fortunate enough to have the training in vocal music and Sitar under the guidance of Dr. S. N. Ratanjankar, who was the disciple of Pt.V. N. Bhatkhande and Ustad Allahuddin Khan, one of the best disciples of Ustad Wazir Khan, the great Veenkar of Rampur State, respectively for several years.
Sri Bandyopadhyaya had a teaching experience of nearly forty years and had been associated either as a member or an examiner with the Boards of Education and Universities that are having music as a subject. He is the author of several works on music which are acknowledged by the leading scholars and art critics of this age to be the authoritative works on the subject they cover.
| Proem | III-VI | |
| Chapter One | ||
| Evolution of Music | 3 | |
| The origin of instruments of music | 6 | |
| How to produce music from instruments | 8 | |
| Musical instruments of ancient India | 9 | |
| Main types of musical instruments | 12 | |
| Purpose of the instruments of music | 13 | |
| Culture of music | 14 | |
| Chapter Two | ||
| Susira-vadya or Vayuja-the wind instruments. Aerophones | 16 | |
| History of the wind instruments | 16 | |
| Flute and its species | 18 | |
| Three main types of flutes | 19 | |
| Direct flute | 19 | |
| Transverse flute | 19 | |
| Vertical flute | 19 | |
| Sankha or Conch | 20 | |
| Srnga | 20 | |
| Murali | 20 | |
| Turva, Turi,Bheri and Karna | 23 | |
| Pungi | 23 | |
| Rausana-chauki | 24 | |
| Nauvata | 25 | |
| Sahanai | 26 | |
| Nagasvaram | 28 | |
| Algoza | 29 | |
| Good qualities of a flutist | 30 | |
| Conclusion | 30 | |
| Chapter Three | ||
| Tata-Vadya or Nakhaja group of instruments Chordophones | 2 | |
| History of stringed instruments | 32 | |
| Vina and its species | 32 | |
| Tantu-vadya : The Ravaba group of instruments | 34 | |
| Vina group of instruments | ||
| Ekatara and Dotara | 34 | |
| Tanapura | 35 | |
| Vina | 37 | |
| Saraswati and Rudra Vina | 39 | |
| Techniques of Vina | 40 | |
| Good qualities of a Vina player | 40 | |
| Gotuvadya | 41 | |
| Vichitra Vina | 42 | |
| Surabahara | 43 | |
| Sitara | 45 | |
| Ravaba group of instruments Ravaba | 49 | |
| Surasrngara | 51 | |
| Saroda | 53 | |
| Tantu-vadya (Vitata group) Bowed type of instruments | 56 | |
| Vitatavadya | 56 | |
| Sarinda, Chikara, Dada and Charatara | 56 | |
| Sarangi | 57 | |
| Esaraja | 61 | |
| Dilaruva | 62 | |
| Tausa | 63 | |
| Mandra Bahara | 64 | |
| Violin | 65 | |
| Viola | 67 | |
| Chapter Four | ||
| Avanaddha-Vadya : Charmaja-Membranophones | 68 | |
| History of the Drum species | 68 | |
| Damaru | 70 | |
| Khole | 71 | |
| Pakhawaja | 72 | |
| Tabala and Banya | 74 | |
| Duffa and Duffali | 77 | |
| Ghata | 78 | |
| Jaya Dhaka, Dhaka, Dholaki and Dholaka | 79 | |
| Kanjira | 80 | |
| Fundamentals of Drum varieties | 80 | |
| Chapter Five | ||
| Ghana-vadya : Lauhaja. The instruments | ||
| of percussion. Autophones | 83 | |
| Jala-taranga | 84 | |
| Kastha-taranga | 85 | |
| Nala-taranga | 86 | |
| Karatala Manjira | 87 | |
| Conclusion | 88 | |
| Glossary | 93 | |
| Index | 99 | |
| Errata | 101 |
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